If you love movies, there’s something at Sundance for you.
Check out what we saw, who we talked to, and what we thought of the films below.
Stephan James: I think that he’s trying to find himself in a weird way.
This film is about the incarceration system, but it’s also a coming-of-age story.
It’s about a young man finding himself as a man in this world and being free.
I think these are all important questions.
It is great to be able to talk to him on every level.
I’m really excited to see what he does next, as well.
Like, I enjoyed Monkey Man, it was a f—-ng blast.
So, I really am excited to see what he does next.
I think when you find that happy medium, you could get real magic.
This movie has that quality, as well, where it’s a world all to itself.
Custom image by Ana Nieves
It’s a weird tone, but it’s unique, and it’s its own tone.
It was about getting it made, right?
A movie that you care about, and it’s really hard.
You have to believe in movies so much to hopefully get it going.
It really gave me that freedom, just trying the wackiest stuff and it not be embarrassing.
I think Hailey kind of gave me that.
I do some weird shit in this movie.
To actually trust that you’re not being judged, and you really can try anything.
And oftentimes, I just kept on looking at her, like “Too much?”
And she’d be like, “No, no!”
So, that was really comforting.
Jane Levy: Maybe this has been unlocked before, but she definitely brought out my inner clown.
There’s a lot of this movie that’s pretty zany slapstick.
They are so scary, right?
Because it’s a tonal tightrope walk.
But Alia is just such an incredibly gifted comedian, and Callum is so funny in the movie.
I mean, it’s nuts when you’re writing anything.
You go, “Imagine we can have this person or this person.”
We did make a list with insane people on it, and number one was Carey.
We were very lucky.
I really wanted to walk a tightrope of all of those things.
Copout or not, it’s incredibly accurate, asBunnylovrswings on a pendulum from heart-achingly sad to laugh-out-loud funny.
So, [in this film] I’m dealing with grief now that I’m a father.
Anyone who sees the film will understand what I’m talking about.
But that was something that drew me in and was important to consider as we were working.
I think that our lives undulate; there’s good and there’s bad.
We have joy, and we have sorrow and all in between.
Furthermore, they willkeepwatching thanks to the crackling chemistry between Dafoe and Watson as they butt parental heads.
Saxon shared his favorite memories of filming withScreenRant, and they naturally included the veteran actors.
That’s just very gratifying, and it made me reconsider the genre that I’m working in.
I think the next one is just going to be about writing and acting.
I’ve been in the clothes, I guess, but that’s one thing that’s quite different.
There’s always a role."
You never know, but we really kept in touch.
We really want you for this."
To get to act in a scene with John Malkovich is bucket list, I could be done.
I get really scared.
Don’t you know what’s gonna happen?"
I get scared really easily.
Twinless, in particular, was popular enough to win the Audience Award for the U.S.
Dramatic Special Jury Award for Ensemble Cast.
