Last year was unforgettable when it came to the movies that were released.
As weve learned time and time again, some of the best movies arent blockbusters.
Therefore, the team at Screen Rant put together their list of 2024s best movies.
As much as this movie is about sexual fantasy, it doesnt let its characters become unreal.
The central affair is captured honestly, in its thorny totality.
2024 was another great year for horror movies.
Last working together on the underratedEverybody Wants Some!
Watching their complicated love story unfold amid Garys hit man ploy had me instantly invested.
I knew Powell had charm, but damn, he used it like a superpower in this movie.
Hit Man had festival screenings in 2023, but it wasn’t widely released until June 2024.
As a kid, I wouldve picked watchingTwisterover any Disney movie available at the time.
When I envisioned a sequel, I always thought it would be a direct follow-up featuring Helen Hunts Jo.
The Substanceis easily one of the best films of the year.
Coralie Fargeat delivers a movie that is quite grotesque at times in the executionof its body horror elements.
But what really makesThe Substanceshine is its heartbreaking story.
This is Pixars family approach perfected.
Delroy is a late-night talk show host in 1977 trying to keep his broadcast on the air.
Oddly,Late Night with the Devils refusal to take itself completely seriously is the secret weapon here.
And isnt that what horror should be?Read ScreenRant’sreview ofLate Night With The Devilhere.
Warning: will force all parents through an existential crisis about their kids abandoning them.Read ScreenRant’sreview ofThe Wild Robothere.
WhenFuriosa: A Mad Max Sagawas first announced, Ill admit I was a bit skeptical.
Well, its nice to know a prequel can erase any doubt about its quality by simply being fantastic.
Furiosas origin story feels fresh, and Anya Taylor-Joys version is just as fierce and powerful as Charlize Theron.
Miller clearly put a lot of thought intoFuriosawhen it would have been easy to phone it in.
Written byMae Abdulbaki, Lead Critic & Features Writer
